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Rock Band Network now live!

4 March1 comment
Author: Chavez

I am not sure how many of you are into video games enough to have picked up any of the Rock Band games as well as purchased any of their download-able content, but I am. I have been waiting for this day since its first announcement last summer.  The Rock Band Network gives the tools to artists and labels in order to put out songs for the Rock Band titles.  Starting today the service will be available to the public so we can start to buy the  slightly over 100 available songs with your closest friends. As of right now RBN is up on the Xbox360 and hopefully next month it will be running on the PlayStation Network.

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Official statement from the band

So news broke this week that one of my favourite bands,  Straylight Run, has decided to go on an ’indefinite hiatus’. Now a lot of you may not know much about this band (apart from the fact that singer/guitarist/pianist John Nolan was in Taking Back Sunday), take my word for it: the world has lost one of its most truly talented bands.

I first heard them around 7 years ago; getting wind of some demo recordings on a MySpace page, and I was really impressed by what I heard. Since then, I’ve grown to love SR in so many different ways and for so many different reasons. Having only had the chance to see them live twice, I took the opportunity to meet the band on both occasions, discovering that they were not just a talented bunch of musicians, but a band that cared about its fans and worked hard to keep playing shows and make music.  It’s because of that fact that their hiatus stings so much. They simply cannot financially afford to be a band anymore. They didn’t have a diva moment, they didn’t grow a part; they are simply low on cash. The same reason has taken quality bands in the past (Brit-rockers Reuben, pop-punkers Allister etc.) and it will continue to do so.

Now, I might just be a little bitter, but I blame the fickle nature of the casual music fan. You know the kind, the ones that buy albums just to listen to the singles over and over, the ones that talk loudly over quite bands at shows, the ones who have 40 songs on their mp3 players because that’s all they’ll ever need. Yes, I know I sound like a real music snob, but I’d like to think that after 12 years of loving the kind of music I do and supporting my local scene, and the past decade of playing in bands in front of less than 20 people at a time, I’ve earned the right to an opinion. And my opinion is simply that there is no hope for the little bands in this world. Now, you may disagree with me here, you may reel off a list of underground bands that remained healthy and active for long periods of time, but I speak of more recent times. I’m talking post-2000. It remains to be seen whether or not any of the underground bands that have formed over the last decade will ever succeed in having long careers whilst maintaining a sense of non-commercial credibility. If come 2020 there is a bunch of bands still going that contradict what I’m writing, I’ll happily admit I was wrong, because if I am proven wrong I will be absolutely ecstatic. But in all honesty, the loss of a band that I think was one of the very best has really forced me to cast my mind back to those underdog bands I’ve loved and lost over the years. Just recently, the fantastic The Jonbenét split, and  I was beside myself with fury. Why you ask? Well because Gallows are making middle-of-the-road, over-produced punk rock (with a massively delusional sense of self-importance, I might add) whilst The Jonbenét have been churning out genuinely bruising punk rock, dripping with defiance and independence, but can’t even manage to scrape together the money for a cheap recording.

You can call me bitter. You can call me elitist. But great underground bands fold every day because of the fickle business that is music. Guys being underpaid for the work they put in, told their pure creation is not good enough to share with others. It’s almost enough to make you lose faith. But I’ll end on a positive note, as, for now, there are so many great bands still plugging away around the gig circuit, playing for tiny audiences and working day-jobs to fund their passion. Even those bands that have broken up now have left behind great legacies. So to Straylight Run, to American Football, to Johnny Truant, to Reuben, to countless others…thanks for the tunes.

So take yourself down to your local venues, visit the websites of some independent labels. Hell, go buy some Straylight Run records and give those guys the funds to get back on the road and do what they live for. Whatever you do, just remember: it all starts with your local scene, with all the little bands. They’re the ones who will grow to be the greats. Be a part of it.

 

 

FOB RIP? OMG!

2 February5 comments
Author: Sam

Fall Out Boy is one of those bands whose singles I enjoy yet leave me with no desire to get to know them better or discover their complete albums.

Now that’s probably my problem and not theirs.  After all, Patrick Stump, Joe Trohman, and Andy Hurley seem to have decent enough chops and their pop songwriting is undeniably catchy.  It’s just that…well, Pete Wentz comes across as a bit of a douche, and the band as a whole seems a bit too “scene” for me.

Well, the boys from FOB may have an opportunity to branch out soon, if the rumors of the band’s potential breakup prove true.

These rumors originated with none other than Mr. Ashlee Simpson himself.  Writing on his blog, he had this to say:

i dont know the future of fall out boy. its embarrassing to say one thing and then have the future dictate another. as far as i know fall out boy is on break. (no one wants to say the “h” word). as much as i dont have a solo project, i also cant predict that id ever play in fall out boy again. not due to personal relationships as much as a band we grew apart. in this statement id like to include there is the possibility that fob will play again with out me or i will be a part of it when everyone is on the same page.

The other members of the band have been working on their own solo/side projects and perhaps that has been the catalyst for this news.  Stump is working on a solo album where he is writing the songs and playing all the instruments.  And Trohman and Hurley are working together along with members of Anthrax and Every Time I Die on a potentially cool heavy metal supergroup of sorts called The Damned Things.

Anyways, if FOB does break up, will anyone really be that sad?  They wrote some really good tunes, but if what they’ve put out to this point is all I ever hear from them, I’ll be okay.

-Sam

Daily Dose: Recommendations 1/18/10

18 January0 comments
Author: Tim Daily

Now and then I’ll stop by to let you know what I think is worth checking out. Here are my rec’s for the week:

Miike Snow – Miike Snow (2009)

Infectious kick-based dance jams never get old, at least not to me. This band not only knows how to craft a song, they explore their progressions and melodies to the fullest and let the listener know to expect more than a simple pop hook or synth riff. You could probably DJ a party, play this record, sit on your ass for an hour and still get everyone moving.

RIYL: Passion Pit, Discovery, Crookers, Phoenix

listen
buy

Lupe Fiasco – Enemy of the State (2009)

‘09 was a tough year to rank mixtapes, but Lupe’s latest effort has to be a contender for the top spot. Featuring beats like the National Anthem (Radiohead), All The Way Turnt Up (Travis Porter ft Sean Teezy & ATL), and Angels (Dirty Money), Lupe once again establishes himself as perhaps the most intelligent and eloquent rapper in the game. The only complaint I have is that it’s only 22 minutes and change long, but then again Lupe is dropping his full length, Lasers, later this month. I guess we can say he succeeded in creating some additional hype for what will surely be one of the year’s best efforts.

RIYL: Jay Electronica, Wiz Khalifa, Mos Def

free download

Motion City Soundtrack – My Dinosaur Life (2010)

MCS is back and once again they waste no time letting you know. My Dinosaur Life is an emotional roller coaster ride that kicks off with inspiration, brings you to the depths of sorrow and picks you right back up again. Singer and songwriter Justin Pierre has established a new sense of maturity in his writing, likely as a result from shedding old habits and becoming clean. If you liked the Motion City Soundtrack you heard on Commit This To Memory, you’ll love this record. It’s a pop-punk blaster, perfect for putting the windows down and taking a mental trip away from it all.

RIYL: Blink-182, The Matches

listen
buy

Vampire Weekend – Contra (2010)

This band brings it. There are so many interesting things going on during this album that one can’t help but think, how the hell did they think to use THAT sound? Vampire Weekend shows that their self-titled debut was only a hint of what they could accomplish and on Contra, they again take traditional song structure and morph it into something much different, but ironically catchier and more rhythmically validating. I’d be shocked if this album didn’t make my 2010 top 10 list.

RIYL: The Strokes, Ra Ra Riot, Harlem Shakes

listen
buy

The American Dollar – Atlas (2010)

I’m not going to lie, there is a reason that The American Dollar hold a special place in my heart: they help me sleep. This isn’t a bad thing – in fact, sleep and music are two of my favorite things, so a combination of the two is naturally awesome. Merely anointing them as my personal Mr. Sandman, though, doesn’t do their work justice. On Atlas, this Brooklyn-based duo take the listener through an enchanting instrumental journey of beautiful piano-based chord progressions, thoughtful melodies and dreamy soundscapes – but with a driving rhythmic force.

RIYL: The Album Leaf, Explosions in the Sky, Hammock

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buy

NBC Miami has a good piece revisiting Elvis Presely at 75

If Presley’s goal was to get us rocking – and not, say, faking his death and working on a secret assignment for the CIA – he can consider the mission accomplished. So Elvis, wherever you are: Happy birthday – and thank you very much.

Gaga Craze

23 December1 comment
Author: Schiano

NME.com has a short, but good, blog post regarding Lady Gaga’s quick rise to popularity and fame.

It’s almost impossible to fathom that just one year ago, Lady Gaga was opening for New Kids On The Block and Natasha Bedingfield at L.A.’s Nokia Theater. This week she returned to the scene, but as the headliner of a super-sold-out three-night Nokia stint…and really, NKOTB and Natasha would be lucky to open for her now.

There’s no denying Gaga’s impact on mainstream pop music this year.  And as such, she was recently named MTV’s Woman of 2009

Source: “L.A. Goes Gaga At Lady’s Monster Ball” (NME.com)

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